In the shadow-draped corners of the horror genre, “The Boogeyman,” directed by the inventive Rob Savage, emerges as a chilling adaptation of Stephen King’s story that delves into the universal dread of childhood monsters. Savage, who previously captivated audiences with “Host,” returns with a narrative that intertwines the raw emotion of loss with the primal fear of the unknown.

The film centers on Sadie Harper, played with gripping intensity by Sophie Thatcher. Sadie grapples with the recent death of her mother while confronting the terror of a malevolent presence within her home. Savage’s mastery is evident in how he amplifies fear, utilizing the interplay of light and darkness to reveal just enough of the lurking horror to keep viewers on the edge of their seats.

“The Boogeyman” distinguishes itself with its sound design – voices eerily mimic those of known characters, escalating the tension to an almost unbearable degree. While the film’s climax may venture into overt spectacle, possibly diminishing the nuanced terror it builds, it does not detract from the journey it offers – a dance with the sinister silhouette of the Boogeyman that every child fears and every adult remembers.

As “The Boogeyman” prepares to haunt theaters, it stands as a testament to Savage’s evolving craftsmanship in horror, promising to draw in fans with its gripping tension and psychologically rich storytelling. This is not just another creature feature; it is a probing look into the abyss of the psyche, where the most profound fears dwell. Palace of Horror awaits its arrival with bated breath, ready to dissect every shadow and every scream for our devoted horror aficionados.