Black Sunday
It’s witchcraft, Italian-style, in this visually elegant thriller. Director Mario Bava’s first feature, known originally as La Maschera del demonio (The Mask of the Demon), unleashed a flood of Italian Gothics and,
a decade later, the slasher films, known as “gialli,” that built the cult reputations of directors Dario Argento and Lucio Fulci. But for sepulchral atmosphere they never topped the early, black-and-white Bava. And no Italo-horror heroine could match the ethereal beauty of Black Sunday’s English import, Barbara Steele.
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